"Monserrat was the second perfume I ever showed in a gallery. I wanted to revisit the fruity-floral, but in a grown-up way, without any fruit punch or candy notes. I showed it alongside paintings with soft, sun-faded colors. I was inspired by Italian fresco paintings (murals painted directly into wet, setting plaster). The fragrance is named for a paint color with a soft apricot/orange quality.

"The fragrance uses Osmanthus absolute, which has a delightful apricot note but also a very earthy/funky undertone, so it needs to be dosed carefully. That subtle earthiness grounds the fragrance and makes it feel real and human."

Pink grapefruit, green leaves, carrot seed, osmanthus, jasmine, white musk, setting plaster.

Late spring. Summer. Warm evenings. Aperitif on the the terrace. Sunday in the Park. Sun-dappled shade.

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